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by Theresa Bennett
KEITH MURRAY'S "GLORIOUS RETURN"
The art of making a "comeback" is not an easy craft to
master. It takes the right mix of dedication, artistry and
public interest to make your way back into the game. But
rapper Keith Murray isn't taking the challenge lightly.
His "glorious return" is not designed to please the
MTV machine nor will it follow the hip hop format that
guarantees radio rotation. The fact is that he doesn't
underestimate the integrity of his audience and believes
that where there is true artistry fans will always follow.
FLOSS: What inspired you to become an artist?
Keith Murray: My Uncle is a B-Boy and he inspired me to
become an artist. Just listening to the records, rap from
early in the day, Run DMC to Rock Candy to EPMD.
FLOSS: What was life like growing up in New York?
KM: You can go both ways. You can choose to get an
education or you can choose to get in trouble. It was
death, violence and drugs. It was the fact that you could
be a success or you could be a jailbird. It was all on me.
FLOSS: Who were your idols growing up and do they
still play a role in your work?
KM: LL Cool J, Run DMC, Russell Simmons anybody who
was out there making a living. My current work is inspired
by my recent experiences. In spite of negative situations;
stay positive, stay on the right track, come back out and
just be heard. Because people were saying that I was
finished, I wasn't going to make another record. Now I
got a record that is the number two most played on urban
radio in the country. It was all that inspiration. I knew
I could do the game and I never in my heart thought I
couldn't. All that drove me to work harder.
FLOSS: What advice would you give to young aspiring
artists today?
KM: Be truthful to what you do. Don't let anybody tell you
that you can't do something when you can. What you put
in is what you get out. If you're half assed you're going to
get out a half assed work.
FLOSS: What do you think is the biggest misconception
about you?
KM: That I'm a trouble-maker and that don't care about
other people's feelings, stuff like that. I'm a monster but
that's the furthest from the truth. I'm actually a nice guy.
FLOSS: It hasn't been an easy ride making it thus far;
if you could change anything about your life would
you take the opportunity?
KM: Yeah. My father wouldn't have passed away.
FLOSS: "It's A Beautiful Thing" was released while
you were in prison where you also began writing your
2003 record "He's Keith Murray". How did music play
a role in your sentence?
KM: It kept my mind out of the bars, out of the cell and
free. If your mind is free then you're free.
FLOSS: The latter album helped you to achieve
crossover success because of singles like "Candy
Bar" featuring Patti Austin and "Yeah, Yeah U Know
It" with members of the Def Squad, how did the
release of this record impact your career and future
as a musician?
KM: Well I personally didn't want that album to be
released because I was no longer over there and the way
that it was being made wasn't the way I go about making
my personal albums. It stopped being mine at one point.
I didn't really like the album to tell you the truth. But it
was critically acclaimed surprising to me. The business
interferes with the artistry.
FLOSS: Did this new record come out the way you
wanted it to?
KM: Hell yeah. Me and Eric sermon went in the basement
and did what we wanted to do. Made the music we make
and we feel good about in our heart and soul. Not making
it, being hyped about it then going into the office and
they're like; "Well it's alright." Alright!? Are you crazy!?
This shit is brilliant!
FLOSS: After many years in the game you're making
a "comeback." What do you expect to accomplish at
this point in your life musically?
KM: A glorious return, that's what I call it. Just to let
mother fuckers know he can still do it, he got it. Without
the politics that man still got it, that man is nice. It's above
average. I'm getting attention now because there's just
straight artistry going on. People pay attention to that.
FLOSS: You experienced the golden age of hip hop as
a cultural movement. How did that impact your voice
as an artist?
KM: Well, coming up in the golden era it was more
sincere. The culture was really about doing good for
the art, for the music. It made you want to be original. It
made you want to express yourself in a unique manner
and be different. You had to bring something to the game
that was different. Every artist of that era was different
there were no two alike. Now the game is people in it for
the money. Everybody wants to make rap records at the
expense of the culture.
FLOSS: When you listen to hip hop today a lot of it is
more pop isn't it?
KM: It's hip pop. That's what it is hip pop.
FLOSS: So did you make this new record as a return
to artistry?
KM: That's why I named the album "Rap-Murr-Phobia: The
fear of real hip hop. Because everything is so touchy feely
and my album is aggressive because now everything is
radio, MTV formatted songs. My album brings equilibrium
back to this shit. They try to get you on the format. Make
the album like this and like that so they can sell it to young
kids and stuff forgetting about the people that really want
to hear some shit.
FLOSS: How did your album Rap-Murr-Phobia come
to be?
KM: The album came together by me and Eric (Sermon)
sitting in the studio going through records seeing where I
came from, where I'm at and where I want to go.
FLOSS: What do you hope people will take away from
your latest record?
KM: I hope people will take away {from this record }the
fact that it is pure unadulterated hip hop.
For more info on Keith Murray visit www.myspace.com/
keithmurray
II
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backstage
vowtobedifferent
yougotmail
industrynews
insidefashion
runwayhis
runwayhers
windowshoppers
celebrityprofile
moneymatters
risingstars
forhim
forher
lady
ofthe
issue
coverstory
fashionspread
entertainmentprofile
lifestyle
toystory
flossin
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